Mixing

Who this mixing service suits

Artists with a single ready for streaming and a vinyl test, bands that want one neutral mix pass after a session in our 36 m² live room, producers who nailed the rough mix but lack time for the last ten percent: all typical jobs. We do not quote one flat fee for full albums of ten or more songs — discuss larger projects upfront so planning and EP bundles stay realistic.

Mixing does not replace recording. If takes are out of time or vocals are consistently off pitch, plug-ins alone will not fix it. We then talk about extra recording or comping — honesty saves revision rounds. Pure vocal capture stays with Vocal recording; full band tracking with Band recording.

What you deliver

Send structured WAV or AIFF stems: one folder per song, consistent names, one project sample rate (often 44.1 or 48 kHz, or 96 kHz if you recorded here). No mp3 intermediates unless we agree explicitly. Leave headroom on the master bus — clipped drums or vocals limit what we can recover.

• Rough mix or reference in a separate REF folder.
• Text file with BPM, key and arrangement notes.
• Clear marking of keeper takes when you send multiple doubles.

The full checklist is in delivering stems for mixing. When unsure, call 020 261 4890 or email [email protected] before you upload.

How a mix pass runs

We start by listening on main monitors and a second reference pair — what feels open on large speakers must stay readable on earbuds. Then we set drums and bass as the foundation, place vocals and lead instruments, and fill the spectrum with support parts without masking.

Effects and space are built per group: sometimes a short room on drums, delay on guitars, little reverb on rap vocals so articulation stays forward. Every choice can be undone in the session; we log major decisions so revisions stay focused.

Revisions and feedback

You get a preview when the mix is in balance, not halfway through an experiment. Give feedback with timestamps («1:12 bass slightly less», «chorus vocal 1 dB forward») instead of vague «make it louder». Within 2 rounds we adjust timing, level and tone — not a full arrangement rewrite or new recordings without a new order.

Revisions start after you have heard the preview on at least two systems (for example monitors and phone). Extra rounds or rush outside Tue–Fri 10–20, Sat 10–18 opening hours are by agreement and may be invoiced separately; see terms and conditions and FAQ.

Delivery formats

By default we deliver a stereo mix as 24-bit WAV at your source sample rate unless you ask for conversion for a specific platform. We do not hand over the DAW session unless agreed upfront and quoted — the mix is tuned to our plug-in chain in the control room.

Instrumental and vocal-up versions are available if you mention them in the brief. Release masters go through Mastering, including loudness and format choices for streaming, explained in master loudness for streaming.

Turnaround and scheduling

A single song is usually scheduled within a few working days after complete delivery, depending on the queue. EPs up to five tracks at €760 get a joint timeline so tone stays coherent across songs — send all stems together or on a fixed schedule we agree.

Rush is possible when the calendar allows; expect a shorter feedback window from your side. We keep archives for 12 months: download finals within that period. After that, storage may be deleted; backups remain your responsibility.

Pricing and VAT

Listed rates include 21% VAT. Per track you pay €195; for an EP up to five songs €760 applies — cheaper than five separate singles when you mix the whole project in one go.

Business clients receive invoices from Oaklandledger B.V.; B2B payment may be 14 days. A 30% deposit can apply on larger jobs — we state that in the quote. Cancellation and rescheduling: terms and conditions.

Not included in the mix fee

Editing bad takes, tuning as a substitute for re-singing, producing new instruments, sample clearance and platform distribution sit outside standard mixing. Full film or podcast series dialogue is a different service — see podcast & voice-over on services.

If you want mastering right after the mix, we plan Mastering as the next step; combine briefs so loudness targets stay aligned. Questions on rights and use of your material: legal notice and privacy policy.

Why mix with us

Oaklandledger at Bilderdijkstraat 165 pairs a treated control room with experience from local sessions since 2019. We know how raw takes from our booth and live room behave — that saves explanation when you recorded here. If you are outside Amsterdam, we work the same via cloud upload; Tram 3 and 12 stop Bilderdijkstraat (2 minutes' walk). Bus 15 stop Bilderdijkstraat. From Amsterdam Centraal about 15 minutes on tram 3 towards Muiderpoortstation. makes an in-person listen optional.

Want to attend the first revision pass? Book within Tuesday–Friday 10:00–20:00, Saturday 10:00–18:00. Closed Monday and Sunday. By appointment only.. You hear the mix on the same monitors we used — fewer surprises at home. Reach us via contact or browse services.

Included

• Technical check of delivered stems
• Stereo mix on studio monitors and reference speakers
• Up to 2 revision rounds with timestamped feedback
• 24-bit WAV export at project sample rate
• Short mix notes on delivery
• Mix project archive for 12 months
• Handoff to mastering on request